















Diana Vickers is an English actress, singer, and presenter who made a critically acclaimed West End debut starring in The Rise and Fall of Little Voice (2009), winning the London Newcomer of the Year Award. Her extensive stage credits include The Rocky Horror Show; Dial M for Murder; Steel Magnolias; I Wish You Well; and Deep Heat Rivalry. On television, she has featured in top comedies including Give Out Girls, Josh and Not Going Out. Vickers also co-hosts the hit podcast Ki & Dee: The Podcast. Soon to be seen in Cary Joji Fukunaga’s feature film Blood on Snow.


Theatre includes: The Oresteia (Bridge Theatre); Dorian (Southwark Playhouse); Heathers (The Other Palace); Roman Holiday (Theatre Royal Bath); South Pacific (Sadlers Wells). Workshops include: Martin Guerre (The Old Vic); A Taste Of Honey (Theatre Royal Stratford East); Cliffs (The Other Palace). TV includes: Pride and Prejudice (Netflix); Doctors (BBC). Training: ArtsEd


Le Fil is a British-Chinese artist, actor, recording artist, and performer, known for RuPaul’s Drag Race UK (BBC/World of Wonder); Canada vs the World (BBC/Crave); and Queen of the Castle (CTV). Theatre credits include Tiger Lily in Club NVRLND (Edinburgh Fringe); Dragged to the Musicals (UK Tour), RuPaul’s Drag Race Live (UK Tour) and the Pride World Tour with Melanie C & Sink The Pink. Film credits include The Christophers. Le Fil also releases original music, with EPs Nightlife and Le Filosophical available on all platforms.


After a swashbuckling run originating misunderstood heartthrob Hook at the Edinburgh Fringe, Matt is bringing his SexyBack to NVRLND. Training: Mountview Academy of Theatre Arts. West End: Sting’s The Last Ship (Drury Lane & International tour); Cabaret at the Kit Kat Club (Playhouse); Sweeney Todd (Adelphi); The Phantom of the Opera (His Majesty’s Theatre); Les Miserables (Queen’s Theatre). Other Theatre: Club NVRLND (Edinburgh Fringe); Jock Night (Seven Dials Playhouse); Taboo (London Palladium & Brixton Clubhouse); Rags (Park Theatre); The Queen of the Mist (Charing Cross); Spamalot (English Theatre Frankfurt); The Last Tango (UK Tour); The Water Babies (Leicester Curve); Bright Lights, Big City (Hoxton Hall).


Ceili trained at ArtsEducational London. (She/her)
Credits include: Maria Von Trapp 60th Film anniversary of The Sound of Music; Tanya Turner in Footballers Wives the Musical; Rosalie Mullins in School of Rock (International Tour); Standby Coleen Rooney/Rebekah Vardy/Justice Steyn in The Vardy v Rooney Wagatha Christie Trial WestEnd (The Ambassadors Theatre); Tour Guide in The Light in the Piazza Concert (Alexandra Palace); Roxie Hart in Chicago (Ljubjiana Festival); Sunset Boulevard (The Royal Albert Hall); Miss Lark, U/S Miss Andrews in Mary Poppins, WestEnd (Prince Edward Theatre); Gumbie Cat/ U/S Grizabella in CATS (International and European Tour); Madame Demeziere in The Braille Legacy (Charing Cross Theatre); Nicki Wade in Badgirls (The Union); U/S Eva Peron in Evita (UK Tour); Singer in Thursford Musical Spectacular; U/S Jovie in Original London Cast Elf the Musical, WestEnd (Dominion); Trude in Grand Hotel (Southwark Playhouse); Marty in Grease (Bronowski Productions); Polly in Crazy For You (Upstairs at the Gatehouse); U/S Dorothy/Swing in Original London Cast Wizard of Oz, WestEnd (London Palladium); U/S Luisa in Original London Cast in The Fantasticks, WestEnd (Duchess Theatre).
Ceili’s One Woman show The Understudy was runner up for Theatremates Best Cabaret. She is also a keen writer and one half of sketch comedy duo Derek & Debs.
Workshops: Sleepless in Seattle, Robert Scott & Brendan Cole; The Fox, The Little Prince, Nick Lloyd Webber & Jamie Reid (Savoy Theatre); Florence Nightingale; Super Alice Smith; Perfect Pitch.
Cast Recordings/TV: Mary Poppins – London Cast; The Wizard of Oz – Original London Cast; Elf the Musical – Original London Cast; Words with Friends, Bob Gould, Danielle Hope; Back to the Future 54 Below; Concrete Jungle, Bobby Cronin; BBC Magic of the musicals.
Ceili is the founder and director of Prep Your Rep & was nominated for the Industry Minds ‘Training Institution Awards’.
Instagram & TikTok | @ceili_oconnor @prepyourrep_ldn


Training: Liverpool Institute for Performing Arts (LIPA) (1st Class BA Hons).
Theatre includes: TWO (Park Theatre – Fringe Award winner for Best Duo Performance); F*ing Men (Waterloo East Theatre); Rearranged (5×5 Theatre); To Wong Foo (Hope Mill Theatre); Tammy Faye (Almeida Theatre); Last Easter (Orange Tree Theatre); A Christmas Carol (Old Vic); Sketch You Up! (Edinburgh Fringe); Edgar Allan Poe and the Haunted Palace (Tiger Lillies / Adelaide Festival / Bergen International Arts Festival); Jerusalem (Watermill Theatre); Jesus Christ Superstar (Regent’s Park Open Air Theatre); The Tempest (Southwark Playhouse); The Lion, The Witch and The Wardrobe (Elliott Harper Productions); Cinderella (Lyric Hammersmith); Obama-Ology (Finborough Theatre); One Man, Two Guvnors (National Theatre, West End & UK Tour); Nicked (HighTide); Enron (Chichester Festival Theatre / Royal Court / Noël Coward Theatre); The Merchant of Venice and The Wind in the Willows (Derby Theatre); Erics (Liverpool Everyman); White Liars (Etcetera Theatre); The Man of Mode (National Theatre); The Wild Duck (Donmar Warehouse); Aladdin (Old Vic); Lark Rise to Candleford (Finborough Theatre); and Our House (West End).
Television includes: Tip Toe (Channel 4); The Capture (Universal / BBC); Secret Invasion (Disney / Marvel); I Hate Suzie Too (Sky / HBO); EastEnders (BBC); Doctors (BBC); Absentia (Sony Pictures / Amazon); Doctor Who (BBC1); Modus (TV4 Sweden / BBC4 UK); Banana (E4); and Cucumber (Channel 4).
Film includes: Take Cover; Great Yarmouth: Provisional Figures; Strangeways, Here We Come; Chinaman (Best Short Film winner, Shortest Nights Festival); and After the End.
Other credits include: Diallos in Elden Ring (Bandai Namco); Bad Fairies (Warner Bros. / Locksmith Animation); Fixborough Disaster and D for Dexter (BBC Radio 4); Doctor Who: Cold Fusion (Big Finish).
Peter is also the Founder of SAVE OUR VOICES NOW a celebrity backed campaign fighting unauthorised AI voice cloning through national media and UK Parliamentary Petition.


Becky is a Theatre Artist and Creative, graduating with a BA (Hons) in Musical Theatre from Bird College.
Theatre includes Stella, Summer Holiday (UK Tour); Follow the Faun (The Arts Theatre); The Fingask Follies (UK Tour); and Crazy For You (The Gatehouse Theatre). Television and film credits include The Royals alongside Liz Hurley; The Tiller Girls; The John Bishop Show; Michael McIntyre’s Night at the Coliseum; Hair (BBC); The Apprentice (BBC); and Mamma Mia! Here We Go Again (Film Trailer). Immersive theatre includes Secret Cinema’s 007: Casino Royale (London & Shanghai); alongside Daniel Craig, and Doctor Who: Time Fracture (London). Becky is an immersive director and experience creative, working internationally with brands including Agent Provocateur, Vogue, MAC Cosmetics and LEGO. Recent directing work includes The Paddington Bear Experience in London. Her recent performance work includes Marilyn at the Ivy.


Training: Arts Educational Schools London. Theatre credits include: Guard in Kiss of the Spider Woman (Leicester Curve, Bristol Old Vic & The Mast Southampton); Ensemble in Evita (London Palladium); Zoltan Karpathy in My Fair Lady (Leicester Curve); Pablo in Sister Act (Eventim Apollo & UK Tour); Sonny in Grease (UK Tour); Chino in West Side Story (Leicester Curve); Pepper in Mamma Mia (Novello Theatre, West End); Ching Ho in Thoroughly Modern Millie (UK Tour); Sonny in In the Heights (Southwark Playhouse/Kings Cross Theatre); Bugsy Malone (Lyric Theatre); and Joey Pesci/ 2nd cover Frankie Valli in Jersey Boys (UK Tour). Television credits include: Gavin and Stacey: The Finale (BBC One).


Training: The Urdang Academy, Level 6 National in Professional Dance, 3 years, 2016 – 2019
Theatre includes: Eddie in Mamma Mia! (Novello Theatre); Rocky 2/Volta in Starlight Express (Bochum); Big Deal in West Side Story (Festival Ljubljana); Ensemble in Thriller (UK & European Tour); Ensemble/Cover Prince in Sleeping Beauty (Theatre Royal Windsor); Ensemble/Cover in Aladdin (Gordon Craig Theatre Stevenage) and Dancer in Orpheus in the Underworld (Opera De La Luna).


Max most recently appeared as Roger in Grease at Kilworth House Theatre. He graduated from ArtsEd in 2024 and made his professional debut as Pat in the UK premiere of Fangirls at the Lyric Hammersmith. His subsequent credits include Pippin in Concert at Theatre Royal Drury Lane and the 2024 Olivier Awards at the Royal Albert Hall, where he performed as a featured vocalist. Credits while training include Man in Chair in The Drowsy Chaperone and Cortina Man in Made in Dagenham.


Elinor hails from South Wales. Training: BIRD. Credits include: Oscar At The Crown (West End – Ramona); The Sound Of Music (West End International – Baroness Elberfeld/Fraulein Schweiger); Pobl Y Cwm (S4C – Workshop, Dani); Bird Brigade (Workshop, Ensemble). Credits whilst training include: Follies (Hattie Walker).Elinor is thrilled to be joining the CLUB NVRLND cast. She wants to thank her Family, Friends and Agents for their unending support.


Appolilly is a 2025 graduate of ArtsEd. Theatre includes: Arwen in Dark of the Moon (Charing Cross Theatre); and Annie (Cork Opera House). Theatre whilst training includes: Martha in Spring Awakening and High Society.


Ashley-Jordon trained at Bird College.
West End credits: Angel and 1st Cover Simon Senior in Kinky Boots (London Coliseum); Wyatt in Crazy For You (Gillian Lynne Theatre); Disney’s Beauty And The Beast (London Palladium); Thriller Live (Lyric Theatre) and The Bodyguard (Original Cast, Adelphi Theatre).
Theatre credits: Angel and 1st Cover Simon Senior in Kinky Boots (UK and European Tour); Larry and Cover Paul San Marco in A Chorus Line (Curve, Leicester, UK and Japan Tour); Turandot (The Royal Opera House, London); Disney’s Beauty And The Beast (UK and Ireland Tour); Matthew Bourne’s Swan Lake (UK and International Tour); Aladdin (SEC Armadillo); Admetus/Macavity in Cats (UK Tour); Mr Wonderful – A Celebration Of Jonathan Ollivier’s Life In Dance (Sadler’s Wells); Dance Captain in Snow White And The Seven Dwarfs (Venue Cymru); The BFG (Birmingham Rep) and Duane in Hairspray (Royal Caribbean’s Oasis of the Seas).
TV and film credits: The National Lottery’s Big Night of Musicals 2024 (BBC); The Royal Variety Performance 2023 (ITV); The Pursuit of Love (BBC); Matthew Bourne’s Swan Lake (Sky Arts) and The Queen’s Coronation Festival Gala (BBC)
Workshop credits: Wuthering Heights – The Musical.
X/Instagram: @ajpacker86
Represented by Michelle Blair Management


Natalie Yin is a London-based performer from Hong Kong whose dynamic versatility has taken her from stage to screen. A graduate of London Studio Centre, her credits include Oscar at the Crown; KPOP Fantasy; Heartstopper 2; and campaigns for Amazon Music and Fujifilm. Known for her powerful stage presence and passion for storytelling through movement, Natalie thrives in high-energy productions that blend artistry with entertainment. She is delighted to be joining the cast of Club NVRLND and looks forward to bringing this electrifying production to life.


Steven Kunis is an American director based in London. He is the conceiver and director of Club NVRLND.
In 2024, Steven was nominated for Best Director of a Play at the Off West End Theatre Awards for the critically acclaimed revival of Taylor Mac’s play Hir (Park Theatre 200) starring Emmy and Golden Globe-winner Felicity Huffman. He was previously nominated in the same category in 2021 for the UK Premiere of Young Jean Lee’s Straight White Men (Southwark Playhouse), which received rave reviews across the national press and was named by The Independent as one of the UK’s top ten theatre events of the year.
Steven’s first film – Meet Frankie – starred Imogen Stubbs and Anthony Calf, premiering at the 2026 London Independent Film Festival where it won the award for Best UK Short. The film is currently touring the film festival circuit.
Steven also directed the 2023 revival of Tony Award winner Joe DiPietro’s F**king Men, a modern retelling of the Arthur Schnitzler classic La ronde. The production sold out 96 performances, and in 2024 and 2025 had two additional six-week sold-out London runs due to popular demand.
Other directing credits include the UK premiere of Tanya Barfield’s Bright Half Life (King’s Head Theatre), and the world premiere of Shaun McKenna’s Rocky Road (Jermyn Street Theatre), the latter of which was listed by The Guardian among the top digital theatre experiences of UK lockdown. He also directed the UK Debut of The Refugee Orchestra Project at LSO St Luke’s, and the acclaimed three-month run of S. Asher Gelman’s Afterglow, for which Steven received a further nomination for Best Director at the Off West End Awards.


Jack is an Olivier Award-winning writer and actor. He trained at Bristol Old Vic Theatre School and has taken part in the Royal Court Young Writers Programme and the Channel 4 Screenwriting Course. He has been on attachment at the National Theatre Studio and was selected to be on the Brit List 2025.
His debut play Cruise premiered at the Duchess Theatre in Summer 2021 to widespread critical acclaim, and was nominated for the Olivier Award for Best New Play 2022. It returned for a second sold-out run at the Apollo Theatre, and has since been performed in South Africa, Australia, Mexico and Brazil.
Jack’s follow-up, KENREX: A True Crime Thriller, co-written with director Ed Stambollouian, opened to rave reviews at Sheffield Theatres in October 2024 and had sellout runs at Southwark Playhouse and The Other Palace. The play was nominated for six Olivier Awards, winning for Best Sound Design and Best Actor in a Play for Jack’s performance. Jack also won the UK Theatre Award for Best Performer in a Play and the Drama Desk Award for Outstanding Solo Performance for KENREX’s Off-Broadway run at the Lucille Lortel Theatre.
For the Almeida Theatre, Jack adapted Alan Hollinghurst’s Booker Prize-winning novel The Line of Beauty. The production, directed by Michael Grandage, played to sell-out audiences in October and November 2025.
Jack is developing stage and screen projects with Working Title, Independent Entertainment, World Productions, Lambert Jackson Productions and Michael Grandage Company. He has taken part in writers rooms for Joi Productions, Genial and It’s All Made Up.
Aside from performing in his own shows, Jack’s acting credits include John Morton’s Ten Percent (Amazon) and Stefan Golaszewski’s Marriage (BBC One) as well as British independent films, and numerous appearances on-stage at the National Theatre, the RSC, the Almeida, lots of regional theatres, and multiple times in the West End.
Jack has also produced award-winning short films. Blood Out Of A Stone premiered at BFI Flare 2018; The Rev was backed by BFI Network and premiered at London Film Festival 2022; Under The Blue has been winning awards around the world since 2024.
In 2025, Jack made his debut as writer-director with his short film Safari, produced by My Accomplice. Together, they are developing Jack’s debut writer-director feature film, Man Made.


Ashley is choreographing My Fair Lady this winter at the Pitlochry Festival Theatre directed by Maria Friedman and starring Alan Cumming. Ashley recently choreographed the revival of Andrew Lloyd Webber’s Starlight Express, at The Troubadour Wembley Park Theatre, London and is soon to embark on a World Tour.
He received great critical acclaim for his choreography in Pacific Overtures by Stephen Sondheim and John Weidman, co-produced by The Menier Chocolate Factory and Umeda Arts Theater in both London and Japan (Tokyo/Osaka performed in Japanese). Ashley provided the choreography for the forthcoming Scorpions Biopic Warner Bros movie Wind of Change.
The last few winter seasons Ashley has directed and choreographed Rylan in Cinderella and Jack and the Beanstalk both at the Cliffs Pavilion in Southend and has proudly choreographed numerous flagship pantomimes for Michael Harrison and Crossroads Live in Newcastle and Birmingham.
He choreographed Top Hat and Singin’ in the Rain (The Mill at Sonning), as well as UK tours of Spamalot, End of the Rainbow and Sheridan Smith in Concert. Ashley has choreographed three annual productions for the Singapore Repertory Theatre and numerous pantomimes over the years, featuring Warwick Davis, Priscilla Presley, Lesley Joseph, Ross King, Alison Hammond and Craig Revel Horwood, to name but a few.
Ashley has choreographed for the BBC, ITV, Channel 4 and Sky, including the opening number of 2024 Sky Arts Awards featuring Joe Lycett and directed by Maria Friedman. He previously worked on the musical staging of Legacy: Maria Friedman & Friends. He has created dance routines for the professional dancers of BBC’s Strictly Come Dancing for It Takes Two and for the UK version of Dance Mums.
He studied at The London Studio Centre, graduating with a degree in Theatre Dance and teaching qualifications with ISTD.


Music Producer, Manager, A&R Executive & Creative Developer. Hugo Dunn-Vereker has spent four decades helping exceptional artists, composers and creative teams realise ambitious work across recorded music, film, television, live performance and stage. His career spans artist management, A&R, production, writing and creative development, with a particular focus on identifying distinctive talent, nurturing long-term artistic partnerships and shaping music-led projects from early vision through to public release.
He has worked in key creative and executive capacities with internationally recognised artists and composers including Craig Armstrong, Michael Brook, Rolfe Kent, Gabriel Mann, eastmountainsouth / Peter Bradley Adams, Sonos, Glen Phillips / Toad the Wet Sprocket, Wrenne, Blue Gas and Tantra.
Notable career highlights include work with leading industry figures and artists such as Jimmy Iovine, Lenny Waronker, Sandy Gallin, Robbie Robertson, Mitchell Froom, Michael Jackson and a young Hans Zimmer. His wider collaborations have included a Margaret Atwood/Sonos collaboration for UCLA Live; and the curation, production and A&R across multiple exclusive music releases for Barnes & Noble, including six volumes of the Sunday Music compilation series.
In music technology, Hugo has worked with artist and developer Scott Snibbe on groundbreaking interactive music apps for artists including Philip Glass and Metric.
His current music-driven work includes: Executive Producer / Arranger for Club NVRLND, stage musical; Producer for Nectar, forthcoming stage musical based on Joanne Harris’s novel The Moonlight Market; Executive Producer for Michael Brook 2026–2027 career album reissue campaign; Co-writer / Producer for Punk. Witch. Supermodel., original stage musical in development; Writer / Producer for PoshRock!, original music-driven feature film in development; Producer / Story for The Wild East, historical limited television drama in development.
Hugo’s current business partners include Dany Garcia and The Garcia Companies, and Aja Dunn-Vereker of Blurple Music.
Across all of his work, Hugo brings together deep musical instinct, producorial experience and a lifelong commitment to developing distinctive, emotionally resonant stories through music


Suzu Sakai is a NYC based scenic & production designer originally from Tokyo.
Working in NY, London, Tokyo, and in other large cities, she has a passion for all aspects of artistic development and collaboration, as well as storytelling through new mediums in digital art & media. Excited to be a part of the NVRLND team again!
Recent productions include: Club NVRLND (Edinburgh Fringe); Die Fledermaus (Eastman Opera, NY); TRASH (Perelman Arts Center, NY); The Brothers Size (Geffen Playhouse, LA & The Shed NY/ Drama Desk nom.); The Rake’s Progress (Shubert Theater, CT); Musical: Lizard Boy (NY Off Broadway Premiere & Oregon Shakespeare Festival/ Drama Desk nom.); and Straight White Men (Southwark Playhouse, UK).
Yale MFA | @suzusakai


Robbie is an Olivier Award nominated lighting designer, won the inaugural Profile Award for Outstanding Achievement in Opera, an Off West End Award for Best Lighting Design, and was also the winner of the 2015 ETC Award. He is also one of only a handful of Life Members of the Association for Lighting Production and Design and a graduate of the Royal Conservatoire of Scotland.
Credits include: The Shining (Malmö Opera); The Resistible Rise of Arturo Ui (Royal Shakespeare Company, Stratford); Punch (Broadway/West End/Young Vic/UK Tour/Nottingham Playhouse); Reverberation, How to Win Against History (Bristol Old Vic); Death in Venice (Welsh National Opera); and The Makropulos Affair (Scottish Opera).
He has further worked with The National Theatre of Scotland, Greek National Opera; Polish National Opera; Den Norske Opera and Ballet; and The English Theatre, Frankfurt.


Sound Quiet Time have provided Sound Design and Engineering for Musicals and Plays around the Globe.
Design Credits: Waitress (UK Tour); Manic Street Creature (Kiln Theatre); Midnight (Sadler’s Wells East); The Book Thief: A Concert Production (Prince Of Wales Theatre); Roam Musical Concert (Shaftesbury Theatre); The Hunchback Of Notredame – In Concert (Prince Edward Theatre); Starter For Ten (Bristol Old Vic/Birmingham Rep); Little Shop of Horrors (Sheffield Crucible); Clueless (Trafalgar/Churchill); Your Lie in April (Harold Pinter); Austenland The Musical (Savoy); Barista The Musical (Capitol); The Old Man & The Pool (Wyndham’s); Hey Duggee, La Bamba (UK Tours); Manic Street Creature (Southwark Playhouse/Pains Plough Roundabout); Fantastically Great Women Who Changed The World (Uk Tour, The Other Palace); Glengarry Glen Ross (Playhouse); An Evening of Eric & Ern (The Lowry); Murder Ballad (Arts); Looking A Lot Like Christmas (Donmar Warehouse live Stream);
System Design Credits: Dr Strangelove (Noël Coward/Bord Gáis); Shakespeare’s Macbeth (UK Tour & Washington, Dc);
Associate Credits: Beetlejuice (Prince Edwards); War Horse (National Theatre); Death Note (Barbican); The Greatest Showman (Bristol Hippodrome); Stereophonic (Duke Of York); Spirited Away (Coliseum); Stranger Things The First Shadow (Phoenix); A Strange Loop (Barbican); A Little Life (Harold Pinter, Savoy); Orlando (Garrick); Frozen The Musical (Drury Lane, Germany, Netherlands); Anastasia The Musical (Madrid, Stuttgart, Scheveningen & Japan); Waitress (Adelphi & UK Tour); Life Of Pi (Worldwide); Gypsy (Royal Exchange); Something Rotten (South Korea); Local Hero (Royal Lyceum); The Producers (Royal Exchange); Me And My Girl (Chichester); The Jungle (Playhouse); Caroline Or Change (Playhouse & Hampstead); War Horse (UK & International Tours); Fiddler On The Roof (Chichester); Billy Elliot (UK Tour & Circustheater).
www.soundquiettime.com


Lucy Casson is a Casting Director from Yorkshire. She was a professional dancer for many years before her move into casting.
Casting for theatre includes: Small Island (Leeds Playhouse/Nottingham Playhouse/Birmingham Rep); Death of A Salesman (Liverpool Everyman); One Tiny Penguin (Birmingham Hippodrome); Brassed Off; Planet Omar; A Christmas Carol; Through It All Together; Lord of The Flies; Nine Night; Macbeth; I Wanna Be Yours; Say Yes to Tess; Dr Korczak’s Example (all for Leeds Playhouse); Crime and Punishment; As You Like It (Northern Broadsides); Animal Farm (Leeds Playhouse/ Nottingham Playhouse/ Theatre Royal Stratford East) – Nominated for CDG Award 2026 for Best Casting of Regional Theatre); The Wanderers (Marylebone Theatre); Paranormal Activity (Leeds Playhouse – Additional Casting); Operation Epsilon; Straight White Men (Southwark Playhouse); Faustus (Storyhouse; Chester); Clybourne Park and Gently Down The Stream (Park Theatre); Gabriel (UK Tour); Who’s Afraid of Virginia Woolf? (Bristol Tobacco Factory); Hedda Gabler (Sherman Theatre); Reasons To Stay Alive (Sheffield Theatres/ETT).
Casting for screen includes: LEGO Friends: Heartlake the Musical (The LEGO Group/ Final Pixel)
Casting for Musical Theatre includes: Hamilton (UK & Ireland Tour); 101 Dalmatians (Eventim Apollo & UK & Ireland Tour); A Knight’s Tale (Manchester Opera House); Club NVRLND (Edinburgh Fringe); Newsies (Original UK Cast; Wembley Park Theatre); An American in Paris (Grand Théâtre de Genève); Carousel (Regent’s Park Open Air Theatre as co-Casting Director).
As Casting Associate or Assistant: Upgraded (Amazon Films – Leeds Casting); The Bay S1 (ITV); Murdered by my Father (BBC); On The Town (Hyogo Performing Arts Centre; Japan); Equus (Theatre Royal Stratford East/ETT); On The Town (Regent’s Park Open Air Theatre); The Addams Family (UK Tour); An American in Paris (West End); Henry V and A Midsummer Night’s Dream (Michael Grandage Company; West End); A Midsummer Night’s Dream (Royal Shakespeare Company).


Colm O’Regan is currently the Musical Director for the West End production of The Book of Mormon, before which he conducted the show’s first UK/International Tour. Colm holds an MA in Music Performance and a BMus from the MTU Cork School of Music and studied piano and conducting at Conservatorio Giuseppe Tartini, Trieste.
Colm has featured as guest conductor with the RTE Concert Orchestra and at the Cork Opera House Proms and other MD credits include Shrek the Musical (UK Tour); Wicked (International Tour, AMD); Starlight Express (Bochum); The Mikado (National Concert Hall, Ireland); the London premiere of The m(Other) Life (Wyndham’s Theatre); The Goddess is Watching (The Other Palace) and Celtic Tenors (Canada Tour).
As an arranger, Colm has worked in the US on Broadway Rocks (State Theatre, NJ) and The Buckhill Skytop Music Festival, among other productions throughout the UK and Ireland.


Aida is a Spanish-Italian director and dramaturg based in London and working internationally.
Aida has worked as a dramaturg for theatre and opera across continents for artists such as Eve Ensler, Daniel Kramer, and Diane Paulus. As a director, her work has been compared to that of Eduardo de Filippo. Aida has experience in cabaret, translated work, multi-media devising, film, and new writing. She was a Creative Associate at Jermyn Street Theatre in 2024, where she translated and directed the English premiere of Two Rounds by Academy Award-nominee Cristina Comencini. In 2025, she was the Creative Producer for the sold out run of CLUB NVRLND at the Edinburgh Fringe.
She holds an MFA in Dramaturgy and Theatre Studies from the American Repertory Theatre/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University and an MA (with Distinction) in Advanced Theatre Making from the Royal Central School of Speech and Drama.


David Adkin is a London-based Producer and General Manager. Selected credits as Co-Producer include: The King and I (UK Tour/Dominion); A Little Life (Pinter/Savoy); The Crown Jewels (Garrick); and The Best Exotic Marigold Hotel (UK Tour).
Selected producing and/or general management credits include: Club NVRLND (Edinburgh Fringe); Red Speedo (Orange Tree); Blindness (Donmar/UK Tour/International) and Blindness Live (Theatre Royal Carré, Amsterdam); Hir, Clybourne Park, The Shape of Things, Disruption and Rothschild & Sons (Park); After The End (Theatre Royal Stratford East); The Realistic Joneses, Wild Goose Dreams and The Omission of the Family Coleman (Theatre Royal Bath); The Grinning Man (Trafalgar Studios); Operation Epsilon, Windfall, Straight White Men, Afterglow, The Life, Stalking the Bogeyman, Dessert and Next Fall (Southwark Playhouse); Our Friends the Enemy (UK Tour/New York); Sweeney Todd (Twickenham Theatre); and Our House (Savoy).
David is currently Head of General Management for Sonia Friedman Productions, where his production highlights include The Popinjay Cavalier (West End), Who’s Afraid of Virginia Woolf? starring Gillian Anderson and Billy Crudup (Soho Place), The Cherry Orchard starring Kristin Scott Thomas (Pinter), 1536 (Ambassadors), The Book of Mormon (International Tour), and Stereophonic (Duke of York’s). From January to April 2022, David was Interim Producer at Theatre Royal Stratford East. In 2019/20, he was Producer of the award-winning Ustinov Studio at Theatre Royal Bath. In 2016/17, he was Assistant General Manager to Robert Fox on the UK premiere of David Bowie and Enda Walsh’s Lazarus (King’s Cross Theatre). David is a member of the Society of London Theatre and the League of Independent Producers. He is a bursary recipient of the Stage One Producers Scheme and serves as Chairman of Cherwell Theatre Company, a charity providing arts-based opportunities for young people in his hometown.


RJG Productions is a theatre production, general management and accountancy company.
Current producing and/or general management credits include: Shadowlands (West End); Club NVRLND (London & Edinburgh Festival Fringe) and Hot Mess (The Other Palace).
Recent producing and/or general management credits include: The Empire Strips Back (Riverside Studios & UK Tour); Beautiful Little Fool (Southwark Playhouse); FANNY (King’s Head Theatre & Watermill Theatre); That Bastard, Puccini! (Park Theatre); Maiden Voyage (Southwark Playhouse); How to Fight Loneliness (Park Theatre); Our Cosmic Dust (Park Theatre); The Happiest Man on Earth (Southwark Playhouse); Bitter Lemons (Park Theatre, Bristol Old Vic & Pleasance); Hir (Park Theatre); It’s Headed Straight Towards Us (Park Theatre); Boy Parts (Soho Theatre); Othello (Riverside Studios); Polko (Paines Plough); and Earshot (UK tour).
Other credits include: Amélie the Musical (West End); Brilliant Jerks (Southwark Playhouse); A Hundred Words for Snow (Trafalgar Studios, UK Tour & VAULT); and the original production of ANNA X by Joseph Charlton. Projects in development include Attrition by Tatty Hennessy, a commission as part of the Writers’ Guild of Great Britain New Play Scheme.
The company is run by Rebecca Gwyther, a StageOne supported producer and ICAEW ACA qualified Chartered Accountant. Rebecca is also on the Board of Get Into Theatre, Mercury Musical Developments and the League of Independent Producers.
For RJG Productions Limited
Producer – Rebecca Gwyther
Production Assistant – Becca McGreevy


MIDNIGHT THEATRICALS is a Tony and Lortel-nominated production company dedicated to developing and showcasing innovative, diverse storytelling worldwide. Its inaugural production, Afterglow, extended six times and finally closed after a record-breaking year and a half run Off-Broadway. Afterglow continues to thrive with runs across North America, London, Madrid, Mexico City, Buenos Aires, and Australia.
Other notable works include the Off-Broadway productions of Scarlett Dreams and safeword; The Zionists: A Family Storm at Miami New Drama and Barrington Stage Company (all by S. Asher Gelman), Open at WP Theater, and We Are The Tigers. Additional work includes Oscar at the Crown and Hir in London, Club NVRLND at the Edinburgh Fringe Festival, Pulitzer Prize finalist Here There Are Blueberries, On Your Feet National Tour, Velour: A Drag Spectacular at La Jolla Playhouse, and the Broadway productions of The Last 5 Years and Pulitzer Prize-winning Fat Ham, which received five Tony nominations, including Best Play.
Award winning films include The Greatest City in the World, in memoriam and Noam Ash’s Bookends, starring Oscar-winner F. Murray Abraham. www.midnighttheatricals.com (http://www.midnighttheatricals.com/)